![]() Sony's S-Log2 recordings are full range, and they should be interpreted as such, that's what my LUTs expect. ![]() ![]() This step is not required if you use the in-camera recordings in the latest versions of the editors mentioned, but it might be necessary when using externally recorded footage. Full to legal range conversion LUTs for Davinci Resolve, Premiere Pro, and FCPX.Exposure modifier LUTs that range from -3 EV to +3 EV, in 1/3 stop increments.It's important to note that the LUTs were created using the Sony A6300's S-Log2 implementation, and although the colors of log profiles are rarely change, I can't say with 100% certainty that Sony didn't change them in newer models. This is not a strict requirement, I give you LUTs to modify exposure. The LUTs expect an S-Log2 image overexposed by 1EV.Best results will be achieved in daylight. Correct white balance, I recommend doing custom wb using a gray/white card before shooting.The low contrast version emulates the following settings: ![]() This is a pack of 3D LUTs that convert Sony's S-Log2/S-Gamut3.cine to the following Fujifilm film simulations in DR400 mode:Įach LUT comes in two versions, the normal one emulates the following settings:
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